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This book contains the results of a unique investigation and insight into a specific domain of human communication: the connection between the creative
process and psychoanalysis. The ultimate aim of this work is to reveal the powerful
potential of the human psyche that remains hidden at different levels of the
uncouscious and to offer a means of realizing the countless possibilities of
the Ego’s transformation.
The essays collected here on the creative process and psychoanalysis were written
over a period of 12 years of research. The earlier essays present the author’s
research into the work of Freud, Jung, Lev Vygotsky, Ernst Kriss, Kurt Eissler, Vladeta
Jerotic and others. The later essays in the book are the product of the author’s
passionate commitment to sharing his personal experience and further exploring
the depths of this fascinating aspect of the human psyche…
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“The basic goal of psychodrama is to develop spontaneity that will enable the
release of creativity in real life. The space in which these mechanisms are activated
is that of an encounter: of one person with another; of an individual with a group;
of an individual with themselves; of an individual with elements from their
surroundings; of an individual with their images, fantasies, suppositions, wishes,
assessments and misperceptions; with their past, present and future; with their dream
and their reality…
Having achieved spontaneity… the participant in these encounters is ready
to take on the responsibility to make creative changes at the moment of
action, to face the conflict between their inner needs and the forces of reality,
finding in that moment, as a “revolutionary category”, an adequate creative solution.
Thus the individual becomes an active agent and initiator of changes and no
longer a passive recipient…”
This book is the result of the author’s twenty years of authentic experience in
applying psychodrama and sociodrama in different fields of human communication.
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A psychiatrist is trapped, forced into finding a solution to the mystery of the
imagined pregnancy of his client, Sarah, who together with the help of her
deranged mother is making his life a living hell. Can the psychiatrist find help
in the institutions of the system? Who are the heroes in this story?
* * *
This is the personal drama of a Balkan psychiatrist torn apart in a pathological
daughter-mother-absent father relationship;a drama that reflects fundamental
conflicts in today’s world in its portrayal of an absurd struggle between insanity
and intellect, violence and order…
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Everything happens in fifteen minutes! There are three ten-year-old children
grown up in three different family backgrounds. Suddenly, the situation
brings their destinies into the dramatic focus. On the one side there is competitive
and violent behavior based on the traumatic experiences and on the other, a creative
one, built on the basis of love and support…
This is a script for a short film and at the same time an interesting text for reading.
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Summary
The individual is now more then ever left alone to take care of
himself or herself. One is forced to independently estimate, plan
and make decisions concerning the preservation of one’s survival,
as well as the development of one’s spiritual and creative potential.
Therefore, one is inevitably faced with the fact that, unprotected
by our surroundings, one should accept complete responsibility for
one’s own destiny.
Current social divergences, like the deterioration of the concept
of health protection and spiritual development in the world, direct
the individual towards discovering and improving the model of
“autonomous protection” and “authentic spiritual development”.
One of the latest concepts that enables the realization of these
needs is a spectrum of specifically designed programs which I
have called “Interactive Internet Self-Help Devices” (InInSHD).
We are on a good path to discover and successfully manage the
enormous positive powers that we possess inside us…
It’s time to set off along this new road and to enjoy the journey.
Good luck!
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In his essay ‘The Doors of Perception’, Aldous Huxley, probably
driven by a powerful inner desire to fathom some of the great
secrets of the human soul, gave an account of his experiences
under the influence of the drug mescaline. At that time, it was a
common belief that this drug stimulated psychic changes equal or
very close to schizophrenia. These changes were, and still are,
believed to generate positions for direct communication with the
deepest strata of human psyche, with the domains of the
unconscious. more...
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In the nineteen thirties,7 Sigmund Freud, whose work has had the
fate to be both vigorously approved and refuted, wrote the essay
‘Civilization and its Discontent’--a work written when he was in the
full swing of his scientific career. In this work Freud is prophetic, his
analyses results in a morbid vision as to the outcome of the struggle
between the two instincts, the life instinct – Eros, and the instinct of
destruction, which was later identified with Thanatos – the death
instinct. He identifies the potential outcome, at which he arrived
through his meticulous psychoanalytical interpretations, within
relationships which reflect social communications, i.e. what we
normally call ‘living together’. more...
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Thinking about a topic that can connect the concept of such a
magazine and the interest of its readers with the psychotherapeutic
concept, which with its very name evokes associations about the
similarity between the art scene and the Moreno’s therapeutic
approach, the author of this text, to whom the therapeutic vocation
is much closer than that of acting, has felt the need to launch into
the adventure of trying to explain rationally the similarities and
differences between these two processes that always carry in
themselves a greater part of the irrational. more...
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The practical magic of psychodrama achieves its most creative
effects in one promising area, above all, an area which I have
been referring to as the ‘healing art’ for a long time. In this past
decade, the development of collective consciousness in the world
has shown evidence of an increased use of this term and its
gradual acceptance within various lexical concepts. Still, I have to
alert the reader that this term is most commonly ‘misused’ or used
incorrectly. Moreover, this term is often ruthlessly abused by global
totalitarianism—as are all other inventions from the end of the 20th
and the beginning of the 21st centuries—into a trend of ‘abuse’:
more often than not, the methods hiding under its wing have
intentions which are actually in complete opposition to those that
serve the wellbeing of humanity. more...
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Psychodrama is an action method of group psychotherapy. It can
strongly induce and develop various phenomena of what is called
a ‘group process’ among the members of the group. Transference
relationships are a part of it. On the psychodrama stage, the
protagonist’s ‘introjected objects’ and ‘representations of the self’
tend towards externalization, concretization and transference onto
the other participants in the scene: the assistants, doubles, and the
director, as well as onto the psychodramatic auxiliaries, using them
as ‘transitional objects’. more...
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Abstract The process of disintegration of the former Yugoslavia
has its own psychological dimension. From the point of view of the
mass psychology and social psychiatry, there was noticed the
phenomenology which organizes the Syndrome of National Mass
Psychosis. Besides the phenomenological aspects, this article
explores some other aspects that concern certain changes in
individual psychodynamic, ego-functions, self-cohesiveness, group
process and perspectives. more...
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Everyone who is occupied with the exploration of the destinies of
the “broken structures”, created by war traumas, at the same time
is engaged in research of the possible destiny of the modern
globalization, in regard to looking at the outcome of the struggle
between two drives, Eros and Thanatos. The film “LIKE A BAD DREAM”
and it’s author Antonio Mitrikeski create an original artistic
contribution to discovering and asking for answers to these serious
questions. more...
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Feedback: creative@zvonkodzokic.com
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